It is a question about supply chains, about climate denial, about modern indifference. The "Zone of Interest" is not just Auschwitz. It is the psychological bubble we all build to avoid looking at the fire next door. Spoiler alert: In the final moments, Glazer commits a radical act. He breaks his own visual rule. Rudolf Höss, walking through the corridors of the modern Auschwitz-Birkenau Memorial, looks down a hallway of cleaning supplies. He begins to vomit—a physical reaction to the past that he never had during the war.
★★★★½ Not for the faint of heart, but essential for the awake. Have you seen The Zone of Interest? How did the sound design affect your viewing experience? Share your thoughts below. Zona de Interes
Then, you hear it.
Rudolf Höss is not portrayed as a monster. He is portrayed as a stressed-out middle manager. He worries about budget reports, staff shortages, and bureaucratic efficiency. He bathes his children, kisses his wife goodnight, and then designs better ways to murder 10,000 people by morning. It is a question about supply chains, about
At first glance, Zona de Interes (The Zone of Interest) feels like a mistake. The camera lingers on a glowing garden, a sparkling swimming pool, and children playing on a swing set. The sun is warm. The flowers are in full bloom. It looks like a reality TV show about a perfect, upper-middle-class family. Spoiler alert: In the final moments, Glazer commits
This is the radical, horrifying genius of Jonathan Glazer’s 2023 masterpiece. It is not a film about the Holocaust. It is a film about the gardeners of the Holocaust. The film follows the real-life family of Rudolf Höss, the commandant of Auschwitz. Their villa—the "Zone of Interest"—shares a wall with the concentration camp. While millions are burned on the other side of that brick barrier, Mrs. Höss (Sandra Hüller) tests perfumes, designs new curtains, and brags to her mother about the "good life" the war has given them.