She stared at the message. Then she screen-shotted it. She sent it to the Kuki TV legal team. Then she posted the blurred version on her Instagram story, with a single caption: “Season 2, Episode 1. Guest list just got longer.”

“The algorithm loves the bit about the senator’s ostrich,” her producer, Kunle, said, scrolling through a tablet. “But drop the jazz interlude. The kids want amapiano, not Coltrane.”

“Welcome to the Cinema of the Highway!” he shouted over Fela Kuti’s horns. Passengers—a fishmonger, a coder, a student—didn’t look out the window. They watched the screens. They argued about whether the rapper’s diss track was better than the one from Tanzania. They paid Jomo an extra ten shillings for the "premium" feed—no buffering.