But the wildest cut scene? An underwater fight between the shark and a . They filmed test footage. It looked ridiculous. It was cut. Thank the ocean gods. 5. The Score: John Williams’s “No” and the Substitute Genius John Williams said no. He was busy with Star Wars and Superman . So Universal hired John Williams’s former orchestrator: Jerrald Goldsmith — yes, Jerry Goldsmith.
Scheider’s exhaustion and rage in the film? 100% real. When Chief Brody screams, “Why don’t you come down here and chum some of this shit?!” at the town council, Scheider was channeling his feelings about the script. Jaws 2 -1978-
Goldsmith did something brilliant. He kept Williams’s iconic two-note shark motif but (for suspense) and added a screaming brass glissando for attacks. Then he wrote a new main theme: a lush, tragic waltz for the Amity kids sailing. Critics hated it at the time. Now? It’s considered one of the most underrated horror scores of the 1970s — equal parts beauty and doom. But the wildest cut scene
Then there was the script: The first film’s shark had a mate (sharks don’t mate for life, but okay), and it returns specifically to hunt the Brody family. That’s why the sequel has the shark following Brody’s kids across the lagoon — it’s personal. It looked ridiculous
The teenage cast (including a 19-year-old Keith Gordon and a pre-fame Mark Gruner) nicknamed the production “Jaws 2: Electric Boogaloo” and held nightly volleyball games on the beach. Donna Wilkes (Jackie) later said the scariest thing on set wasn’t the shark — it was Scheider chain-smoking between takes. Before the final script, there was The Making of Jaws 2 — a meta script where the real cast played themselves, and a shark attacked the set. No, really.